Remember when cartoons were happy things? Each panel took you on a tiny journey, carrying you to an unexplored place. In Understanding Comics, Scott McCloud writes:
The comics creator asks us to join in a silent dance of the seen and the unseen. The visible and the invisible. This dance is unique to comics. No other artform gives so much to its audience while asking so much from them as well. This is why I think it's a mistake to see comics as a mere hybrid of the graphic arts and prose fiction. What happens between . . . panels is a kind of magic only comics can create.
When that magic is manipulated or politicized, it often devolves the artform into a baseless thing. Yesterday, Occupy Wall Street published the perfect example of low-brow deviation of the artform: A six-panel approach at satire, which imitates the instructions-panel found in the netted cubbyhole behind seats on airplanes. The cartoon is a critique of the recent news about immigrant children being separated from their parents after crossing the border. It is a step-by-step guide to murdering US Immigrations and Customs Enforcement agents.
The first panel shows a man shoving an infant into a cage meant for Pomeranians. The following five panels feature instructions, and include pictures of a cartoonish murder.
Occupy Wall Street promotes killing ICE agents in gory, step-by-step cartoon. https://t.co/nEogmrIDBC
— Fox News (@FoxNews) June 20, 2018
The panels read as follows:
- If an ICE agent tries to take your child at the border, don't panic.
- Pull your child away as quickly as possibly by force.
- Gently tell your child to close his/her eyes and ears so they won't witness what you are about to do.
- Grab the ICE agent from behind and push your knife into his chest with an upward thrust, causing the agent's sternum to break.
- Reach into his chest and pull out his still beating heart.
- Hold his bloody heart out for all other agents to see, and tell them that the same fate awaits them if they f--- with your child again.
Violent comics are nothing new. But most of the time, they remain in the realms of invented worlds — in other words, not in our own, with reference to actual people, let alone federal agents.
The mainstream media made a game of crying racism with every cartoon depiction of Obama during his presidency, as well as during his tenure as Senator, when the New Yorker, of all things, faced scrutiny for depicting him in "Muslim clothing." Life was a minefield for political cartoonists during the Obama era.
Chris Hondros/Getty Images
This year, we saw the leftist outrage regarding The Simpsons character Apu — a cartoon representation of a highly-respected, though cartoonishly-depicted, character on a cartoon show composed of cartoonishly-depicted characters.
We all remember Charlie Hebdo, which, like many outlets that have used cartoon satire to criticize Islam, faced the wrath and ire of people unable to see even the tamest representation of the prophet, Muhammad.
Interesting, isn't it? Occupy Wall Street publishes a cartoon that advocates murdering federal agents, and critics are told to lighten up. Meanwhile, the merest depiction of Muhammad has resulted in riots throughout the world, murder and terror on an unprecedented scale.
The intersection of Islam and comics is complex enough to have its own three-hour show, so we'll leave it at that, for now. Although, it is worth mentioning the commentary by satirical website The Onion, which featured a highly offensive cartoon of all the major religious figures except Muhammad. It noted:
Following the publication of the image above, in which the most cherished figures from multiple religious faiths were depicted engaging in a lascivious sex act of considerable depravity, no one was murdered, beaten, or had their lives threatened.
Of course, Occupy Wall Street is free to publish any cartoon they like. Freedom of speech, and so on—although there have been several instances in which violent cartoons were ruled to have violated the "yelling fire in a crowded theater" limitation of the First Amendment.
Posting it to Twitter is another issue — this is surely in violation of Twitter's violent content policy, but something tells me nothing will come of it. It's a funny world, isn't it? A screenshot of a receipt from Chick-fil-A causes outrage but a cartoon advocating murder gets crickets.
In Understanding Comics, Scott McCloud concludes that, "Today the possibilities for comics are — as they've always been — endless. Comics offers . . . range and versatility, with all the potential imagery of film and painting plus the intimacy of the written word. And all that's needed is the desire to be heard, the will to learn, and the ability to see."
Smile, and keep moving forward.
Crude and awful as the Occupy Wall Street comic is, the best thing we can do is nod and look elsewhere for the art that will open our eyes. Let the lunatics draw what they want, let them stew in their own flawed double standards. Otherwise, we're as shallow and empty as they are, and nothing good comes of that. Smile, and keep moving forward.
Things are getting better. Show the world how to hear, how to learn, how to see.
This article originally appeared on Glenn Beck